You have cut the client list right down on purpose and put the price up. The content on your page is still the content that built the old business, so it keeps bringing you the old enquiries. This is two days of filming, and the session that plans them, built to speak to the person you actually want now.
Before the pricing, here is the logic, so the cost makes sense in context.
You said it yourself on the call. The shoutouts and the collabs do work, they just bring you their fans, and their fans are not the people booking a £3,200 programme. Your page has the same problem. It is good content, there is just a lot of it built for the business you have deliberately moved on from, so it keeps bringing you the enquiries you are now turning down.
So I am not trying to get you more reach. I want every video to be so obviously aimed at a London business owner or a public figure that everybody else scrolls straight past, and the person you want feels like you are talking to them directly. That is why we do the planning session before we film anything. Two proper days on camera, close enough together that everything we film on one crosses into the other, gives us enough to run that message for months.
One session to decide exactly who we are speaking to and what you say to them, then two shoot days close enough together that everything we film on both ends up mixed through everything you get.
You told me you have stepped back from posting to fix the delivery, the filler words and the setting. Everything here is built around that.
Two shoot days, the planning session that sets them up, and everything that comes off them.
Payment that protects you. It splits into two blocks of £1,500 + VAT, one a shoot day. Half of each block secures that date, and the other half is due when that day's content lands with you. You are never paying for a day that has not happened.
Travel is billed on top, at cost. I am coming up from Angmering, which is about 112 miles there and back. Two days works out around £100 + VAT and it goes on the final invoice at cost, so if we end up filming somewhere closer it comes down.
Three things, and only the first one needs you today.
Grab a day off there if one lines up. If nothing on it suits, tell me the week that works and I will build the day around you, London days included.
If these two days do what we want them to, the honest next step is a regular cadence rather than another one off. It is much easier to price and to plan when we can both see which of the 24 actually pulled the right people in, so there is nothing to decide on it now.
Say the word and I will get the invoice over and the first day in the diary. Any questions before then, just ring me.